Astrid Lindgren - Breaking the magic code and establishing a new one - Soul Journey

Abstract

In Mio My Son and The Brothers Lionhearts, Astrid Lindgren broke the rules of the fantasy genre, especially in the third phase of the heroic journey when Mio and In Mio My Son and The Brothers Lionhearts, Astrid Lindgren broke the rules of the fantasy genre, especially in the third phase of the heroic journey when Mio and [Archivio: /home/kike/Descargas/ailij/Anuario2009_7_2.pdf] the brothers — Jonathan and Karl did not return to the real chronotope (real time and place). Instead, they remained in the fantasy chronotope (fantasy time and place). With this rupture of the traditional fantasy code, Lindgren created a new modern pattern in the fantasy genre in Mio My Son: home (Thirteen North Street in Stockholm) — away (Farawayland) — far away (The land on the other side or Outer Land) and in 7/e Brothers Lionheart: home (2nd floor at Fackelrosen building), away (jump out to fantasy 1 Nangiylima) and far away (jump out to fantasy 2 Nangilima).
This rupture of the traditional fantasy code grew out of the modern concept of child and childhood, which rejected the traditional romantization of child and childhood in children's literature.