Escenas del `Yo' insurrecto. Creación del sujeto poético y político en el grupo nicaragüense (1969-1990)

Abstract

In the seventies appears on stage poetic Nicaraguan a series of female voices that have a common poetic and political project. With the exception of Daisy Zamora, the colloquial poet of the group, Vidaluz Meneses, Ana Ilce Gómez, Michèle Najlis, Gioconda Belli, Rosario Murillo and Daisy Zamora feel the need to narrate the political transformation of the poetic subject. As a sort of poetic renaissance, these voices are positioned around two ideological axes that intersect: on the one hand, feminist makes them sexed voices, and, secondly, they are committed to the Revolution Nicaraguan through the Sandinista movement.