‘What you thought you have forgotten’: The Mersey Sound Revisited

Abstract

The Mersey Sound (1967) was the best-selling poetry anthology of the sixties in the UK. Apart from its commercial success, it is also an important document in terms of the study of working-class literary output in this decade. Despite this, its position within the British literary canon has often been neglected in academic realms. It is for this reason that the present article aims to offer an insight into the scholarly importance of this
anthology through offering arguments for its reevaluation. Moreover, in this research its current status will be explored, looking in particular at contemporary literary criticism of working-class mass culture and art. To this end, I will first discuss the main justifications for a reconsideration of the significance of the collection and describe its context and origins. This will be followed by an analysis of the content of the volume and its current relevance. Conclusions drawn from this will include possible reasons for its absence in many academic poetry guides and will also stress the need to
recover and reappraise the anthology in future research on working-class British poetry.